“An empty space owes its importance above all to the
absence of a possible content, whilst the still life is defined by the presence
and composition of objects which are wrapped up in themselves or become their
own container: as in the long shot of the vase almost at the end of Late Spring [directed by Yasujiro Ozu, 1949].”
“The vase in Late
Spring is interposed between the daughter's half smile and the
beginning of her tears. There is becoming, change, passage. But the form of
what changes does not itself change, does not pass on. This is time, time
itself. 'a little time in its pure state': a direct time-image, which gives
what changes the unchanging form in which the change is produced.”
Gilles Deleuze, Time-Image
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