Course Instructor: Dr. Hudson MouraDepartment of Philosophy
The Chang School of Continuing Education
This course explores the relationship between philosophy and film. As D. N. Rodowick states, for philosophers Stanley Cavell and Gilles Deleuze “cinema is the philosophy of our everyday life.”
Our intent is to examine and approach the intersections of these two disciplines theoretically, culturally, and historically by screening films and presenting analysis based upon philosophical perspectives and arguments from scholars, philosophers, and filmmakers. In this way we will see how much both areas have influenced each other and have improved their own practices relating to contemporary thought and film’s aesthetics.
As a contemporary art form, cinema has motivated deep philosophical investigations about its nature, function, and reception. This course focuses on philosophical concepts having to do with the nature of film and our experiences of it. We will discuss how a film conveys meaning by producing specific forms of experience in the audience. Using cinema as an inspiration and a source for questioning the meaning of life, other inquiries to be considered may include: What can film teach us about the nature of perception? How do we understand filmic time? What is true in a film? And simply, what is film?
Examining closely the work of several directors (Bergman, Tarkovsky) and philosophers (Cavell, Deleuze), and a variety of genres (melodrama, science-fiction, road movie), the course themes will address the nature and aspects of film (realism, metacinema) and scrutinize conceptions embedded in philosophy and film such as the philosophy of and in film, film as philosophy, filmosophy, and film-philosophy.
Required Reading: CPHL 710 Course Reader; H. Moura, ed. Winter 2012
Film, Theory and Philosophy: The Key Thinkers. Ed. by Felicity Colman. Montreal/Kingston, McGill-Queen’s University Press, 2009.
Suggested Reading: Key Concepts in Cinema Studies. Susan Hayward. New York, Routledge, 2000.
I. Introduction - Philosophy of film
II. Nature of Film and Realism
III. Genre: Melodrama – Affects and Morality
IV. Philosopher: Stanley Cavell
V. Philosopher: Gilles Deleuze
VII. Filmmaker: Ingmar Bergman
VIII. Modern Cinema: Mental Journey and Nothingness
IX. Think Otherwise: Film as Philosophy
X. Genre: Road Movie – A Search For Life’s Meaning
XI. Filmmaker: Tarkovsky – Metaphysics & Spiritualism
XII. Existentialism and Digital OntologyXIII. Conclusion